Dunqul Amal is a famous Egyptian poet Arab nationalist, was born in the family of Nubian in 1940 in the village of Castle, Qeft Qena Governorate in Upper Egypt. He died on 21 May 1983 at the age of 43 years. His wife is a journalist Abla Ruwaini.
Dunqul hope is gone to Cairo after he had finished high school in Qena In Cairo, he joined the Faculty of Arts, but a break from study since the first year to operate.
Hope the work of employees Dunqul Court of Qena and Customs Suez and Alexandria, then an employee of the Organization of Afro-Asian solidarity, but it was always going to leave work and go out to write poetry. Like most of the people level, he felt hope Dunqul shocked when coming to Cairo, the first time, and the impact of this is largely due to his poems and this shows clearly in his poetry first.
Contrary to most schools of poetry in the fifties inspired hope Dunqul poems of the symbols of Arab heritage, has been prevalent at this time influenced by the West's mythology and Greek in particular. Contemporary era of hope Dunqul dreams of Arabism and Egyptian revolution, contributing to the formation of psychology as a whole was shocked Egyptians encountered unbroken Egypt in 1967 and expressed shock at his masterpiece, "crying in the hands of a blue-Yamamah," and his "comment on what happened."
View the hope Dunqul eyes victory and its loss and shouted with both cried against the peace treaty, and time was his masterpiece, "not reconciled" and which he expressed everything Gal of dangers of all the Egyptians, and we also find the impact of the Treaty and the events of January 1977 is clear in his "Prince to come" . The position of Dunqul hope of the peace process led to a collision in a lot of times, especially the Egyptian authorities that his poems were recited in the demonstrations on the tongues of thousands.
Through hope Dunqul from Egypt and their level and its people, and we find this clear in his poem "southern" in the last collection of poems to him, "leaves room 8", as known to the Arab reader his hair through his first poetry book "Crying in the hands of a blue-Yamamah" published in 1969, which embodied the sense of Arab human setback 1967 and confirmed its association with deep awareness of the reader and ethos.
He has published six collections of poetry are:
Crying in the hands of a blue-Yamamah - Beirut 1969.
Comment on what happened - Beirut 1971.
The killing moon - Beirut 1974.
Testament follows - Beirut 1975.
New statements about the war Bsous - Cairo 1983.
Leaves room 8 - Cairo 1983.
Hope the work of employees Dunqul Court of Qena and Customs Suez and Alexandria, then an employee of the Organization of Afro-Asian solidarity, but it was always going to leave work and go out to write poetry. Like most of the people level, he felt hope Dunqul shocked when coming to Cairo, the first time, and the impact of this is largely due to his poems and this shows clearly in his poetry first.
Contrary to most schools of poetry in the fifties inspired hope Dunqul poems of the symbols of Arab heritage, has been prevalent at this time influenced by the West's mythology and Greek in particular. Contemporary era of hope Dunqul dreams of Arabism and Egyptian revolution, contributing to the formation of psychology as a whole was shocked Egyptians encountered unbroken Egypt in 1967 and expressed shock at his masterpiece, "crying in the hands of a blue-Yamamah," and his "comment on what happened."
View the hope Dunqul eyes victory and its loss and shouted with both cried against the peace treaty, and time was his masterpiece, "not reconciled" and which he expressed everything Gal of dangers of all the Egyptians, and we also find the impact of the Treaty and the events of January 1977 is clear in his "Prince to come" . The position of Dunqul hope of the peace process led to a collision in a lot of times, especially the Egyptian authorities that his poems were recited in the demonstrations on the tongues of thousands.
Through hope Dunqul from Egypt and their level and its people, and we find this clear in his poem "southern" in the last collection of poems to him, "leaves room 8", as known to the Arab reader his hair through his first poetry book "Crying in the hands of a blue-Yamamah" published in 1969, which embodied the sense of Arab human setback 1967 and confirmed its association with deep awareness of the reader and ethos.
He has published six collections of poetry are:
Crying in the hands of a blue-Yamamah - Beirut 1969.
Comment on what happened - Beirut 1971.
The killing moon - Beirut 1974.
Testament follows - Beirut 1975.
New statements about the war Bsous - Cairo 1983.
Leaves room 8 - Cairo 1983.
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